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                 SIGNS: THE ABRIDGED SCRIPT™

                       By Rod Hilton


FADE IN:

INT.  CORNFIELD

MEL GIBSON runs out into his cornfield.

                         MEL GIBSON
            I must locate my precocious Culkin
            child and cute-but-impossible-to
            understand daughter.

He finds them in the middle of a large crop circle.

                    MEL GIBSON (CONT'D)
            A crop circle! And it can't
            possibly be done by a bunch of kids
            with boards tied to rope, it's too
            perfect.

                        RORY CULKIN
            This can only be the work of
            aliens.

                         MEL GIBSON
            Don't be silly, you obnoxious
            little puke.  As a priest turned
            staunch atheist, I believe there is
            a simple, rational explanation for
            everything. I will, however, ignore
            that in this case to move the thin
            story along.  In any case, this sure
            isn't the work of aliens.

                          AUDIENCE
            Aliens, eh? Suuuure.  I wonder
            what's REALLY going on.  Some big M.
            Night Shyamalan surprise ending
            awaits, no doubt.

The movie crawls along at an ungodly slow pace.  The
AUDIENCE confuses this for SUSPENSE.  MEL sees a shadowy
figure on his roof.

                      JOAQUIN PHOENIX
            Let's chase it, even though it
            doesn't look even remotely human.

They chase it, and it jumps around off camera, clearly
displaying inhuman powers.

                         MEL GIBSON
            Because the audience has not seen
            these monsters, our general lack of
            intense fear will match with the
            audience's apathy.

                        RORY CULKIN
            This is definitely the work of
            aliens.

                          AUDIENCE
                 (winking)
            Uh huh.  Aliens.  Sure thing,
            Macaulay.

                        RORY CULKIN
            I'm Rory.

                          AUDIENCE
            Whatever.  You're all no-talent ass
            clowns. How many of you are drug
            addicts so far, anyway?

INT.  MEL'S HOME

MEL'S KIDS read about ALIENS while ABIGAIL BRESLIN litters
the house with full glasses of water, which is the most
obvious DEVICE WHICH WILL BECOME IMPORTANT LATER in the
history of film.

                        RORY CULKIN
            According to this book about
            aliens, they send ground troops
            first to survey the area, and then
            they go back for reinforcements,
            which may include enormous armies in
            ships which can cloak themselves.
            Chances are, they will destroy us or
            enslave us.

                         MEL GIBSON
            Good to know that, even on far-away
            planets with significantly higher
            technological achievements, aliens
            are still just as primitive and
            barbaric as human beings.  At least
            humans are better than that bullshit
            no-good God who killed my wife and
            turned me completely anti-religious.

Suddenly, MEL experiences another piece of the same
flashback he keeps having.

                                               FLASH CUT TO:

EXT.  ROADWAY

MEL discovers his wife has been run over by DIRECTOR M.
NIGHT SHYAMALAN.

                    M.  NIGHT SHYAMALAN
            I ran your wife into this tree in
            much the same way as I have run my
            manipulative directorial style into
            the ground.

                         MEL GIBSON
            Wife! You can't die! It will send
            me spiraling into atheism without
            looking back!

                            WIFE
                 (coughing blood)
            Tell Joaquin to swing away...
                 (dying)
            And to use his bat to hit the alien
            and save everyone and show us all
            that everything happens for a
            reason.
                 (dies)

                                               FLASH CUT TO:

INT.  MEL'S HOME

                      JOAQUIN PHOENIX
            Hey, a whole bunch of space ships
            are filling the skies.  Aliens are
            invading.

                          AUDIENCE
            Heh.  But, really it's something
            else right? Or, like, the whole
            family is made of aliens, and
            they're invading to bring them home?
            Or the little girl is an alien?
            Or..something?

                      ABIGAIL BRESLIN
                 (incomprehensible
                 babbling)

MEL GIBSON nails his entire house shut.  Aliens try to get
in.

                          AUDIENCE
            So...this actually is about aliens?

                      JOAQUIN PHOENIX
            I'm so terrified.  We don't even
            get to see the monsters, we're
            sealed into this claustrophobic
            house, awaiting infiltration from
            the unknown on the outside!

They hide in the CELLAR, the TINIEST and DARKEST room of
all. RORY CULKIN has an asthma attack.  And they don't have
any kind of weapon.  And, uh, the lights go out, too.  Sure,
why not?

INT.  CELLAR - THE NEXT DAY

Everyone exits the cellar.

                         MEL GIBSON
            Wow, what a fright, I sure am glad
            that nightmare is over.  It sure is
            impressive how this movie has been
            suspenseful without relying on silly
            special effects.

All of a sudden, they discover an IMP FROM THE VIDEO GAME
DOOM in the living room.

                    MEL GIBSON (CONT'D)
            Holy hell! Where's my BFG?

                        RORY CULKIN
            You have to register to get a BFG,
            Dad.

                         MEL GIBSON
            Damn!

                      ABIGAIL BRESLIN
                 (unintelligible
                 blathering)

MEL notices JOAQUIN PHEONIX standing next to a BASEBALL
BAT.

                         MEL GIBSON
            I have noticed the baseball bat on
            the wall independently of my wife's
            premonitions, but seeing it has
            triggered my memory of her last
            words, which gives me the idea to
            tell Joaquin to use it.  If not for
            my wife, I'd never have thought to
            use this bat, so really the stupid
            flashbacks throughout the film exist
            for a very good reason.  Yes.

JOAQUIN bashes the IMP FROM DOOM with a baseball bat.  Then
they realize that water can kill the IMP .

                    MEL GIBSON (CONT'D)
            Water! This is why my prattling
            daughter leaves water all over the
            place! And my son has athsma so that
            he can survive the alien attacks!
            Truly, everything DOES happen for a
            reason!

They attack the IMP with water.

                       IMP FROM DOOM
            Ahhh! Water! The only thing that
            can destroy my species! Jesus, it
            was pretty fucking stupid to invade
            this planet, considering it's 75%
            water and its inhabitants are mostly
            water as well.
                 (dies)

                         MEL GIBSON
            Truly these occurences have showed
            me that there is a higher power.
            Granted, tons of people died and
            they were not given the same sort of
            special treatment I was, but what's
            important is my obnoxious children
            are alive.

                          AUDIENCE
            What? That's it? Where's the big,
            farfetched surprise ending?

                DIRECTOR M.  NIGHT SHYAMALAN
            Surprise! There is a God!

END


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